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Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
为了覆盖自己的罪行以及保持自己的荣耀,不惜背叛自己维护正义的使命。抓双胞胎顶包,最后被真正诱发出真相的的辞职刑警制裁并以“双胞胎”一般连体的姿态死于那片充满着暴力血腥残忍阴谋的密林。
好累 时间线明明可以改的简单一点 但是看到最后蛮牛的
结局挺出乎意料的,叙事时间线处理的很棒
目睹罪恶久了容易置身罪恶。
混乱的时间线叙述导致难以厘清故事在讲什么,但俄影冷冽的气质是无法忽视的。
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